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				<updated>2009-08-14T22:05:27Z</updated>
		
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 22:05, August 14, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Philip Sherrard''' (September 23, 1922 — May 30, 1995) was a British author, translator, and philosopher. His work includes important translations of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Modern Greek&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;poets, and books on Modern Greek literature and culture, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;metaphysics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, [[theology]], &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;art&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;.&amp;#160;  A pioneer of Modern Greek studies in [[England]], he was influential in making major &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Greeks|&lt;/del&gt;Greek&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;poets of the nineteenth and twentieth centuries known in the English-speaking world.&amp;#160;  He was also a prolific writer on theological and philosophical themes, addressing the origins of the social and spiritual crisis he believed was occurring in the developed world, and specifically exploring modern attitudes towards the [&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[environment (biophysical)|&lt;/del&gt;environment&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;from a Christian perspective. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Philip Sherrard''' (September 23, 1922 — May 30, 1995) was a British author, translator, and philosopher. His work includes important translations of Modern Greek poets, and books on Modern Greek literature and culture, metaphysics, [[theology]], art and aesthetics.&amp;#160;  A pioneer of Modern Greek studies in [[England]], he was influential in making major Greek poets of the nineteenth and twentieth centuries known in the English-speaking world.&amp;#160;  He was also a prolific writer on theological and philosophical themes, addressing the origins of the social and spiritual crisis he believed was occurring in the developed world, and specifically exploring modern attitudes towards the [environment from a Christian perspective. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Philip Owen Arnould Sherrard was born on September 23, 1922 in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Oxford&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;. His family had many connections with the literary world of the period: his mother, Brynhild Olivier, had been a member of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Rupert Brooke&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;'s circle before the First World War, and his half-sister was married to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Quentin Bell&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, the nephew of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Virginia Woolf&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;.&amp;#160; He was educated at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Dauntsey's School &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;and at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[&lt;/del&gt;[Peterhouse, Cambridge&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, where he obtained a degree in History.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Philip Owen Arnould Sherrard was born on September 23, 1922 in Oxford. His family had many connections with the literary world of the period: his mother, Brynhild Olivier, had been a member of Rupert Brooke's circle before the First World War, and his half-sister was married to Quentin Bell, the nephew of Virginia Woolf.&amp;#160; He was educated at Dauntsey's School and at[Peterhouse, Cambridge, where he obtained a degree in History.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard first came to Greece as a soldier after the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Axis occupation of Greece during World War II| &lt;/del&gt;liberation of Athens&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;. The culture and traditional way of life of the country made a profound impression on him. At this time he first corresponded with the poet &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;George Seferis&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, whose work he was subsequently to translate into English. He also met and married his first wife, Anna Mirodia. After living for a period in London, Sherrard returned to Greece to serve as Assistant Director of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;British School of Archaeology at Athens&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;in 1951-52, and again in 1957-62. His doctoral thesis on the Greek poets &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Solomos&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Palamas&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Cavafy&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Angelos Sikelianos&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, and Seferis (King's College, London) was published in 1956 as ''The Marble Threshing Floor''.&amp;#160; In the same year Sherrard was baptized into the Orthodox Church.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard first came to Greece as a soldier after the liberation of Athens in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;. The culture and traditional way of life of the country made a profound impression on him. At this time he first corresponded with the poet George Seferis, whose work he was subsequently to translate into English. He also met and married his first wife, Anna Mirodia. After living for a period in London, Sherrard returned to Greece to serve as Assistant Director of the British School of Archaeology at Athens in 1951-52, and again in 1957-62. His doctoral thesis on the Greek poets Solomos, Palamas, Cavafy, Angelos Sikelianos, and Seferis (King's College, London) was published in 1956 as ''The Marble Threshing Floor''.&amp;#160; In the same year Sherrard was baptized into the Orthodox Church.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1959 Sherrard bought part of disused magnesite mine near the small shipping town of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Limni&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;in the island of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Evia&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;. He planted trees and plants where the former mine installations had been, and helped to restore the homes of the former directors who had lived there before the mine was abandoned at the outbreak of the Second World War. In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College, London and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, where Limni now became his permanent home.&amp;#160; In 1979 he married his second wife, the publisher Denise Harvey. They endeavoured as far as possible to live a simple life according to the principles of the Orthodox Church, without many of the conveniences of modern living, such as electricity and the telephone.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1959 Sherrard bought part of disused magnesite mine near the small shipping town of Limni in the island of Evia. He planted trees and plants where the former mine installations had been, and helped to restore the homes of the former directors who had lived there before the mine was abandoned at the outbreak of the Second World War. In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College, London and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, where Limni now became his permanent home.&amp;#160; In 1979 he married his second wife, the publisher Denise Harvey. They endeavoured as far as possible to live a simple life according to the principles of the Orthodox Church, without many of the conveniences of modern living, such as electricity and the telephone.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1980, together with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Keith Critchlow&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Brian Keeble&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, and the poet &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Kathleen Raine&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, he was one of the founding members of the journal ''Temenos'', a review devoted to the 'arts of the imagination'. This eventually led to the foundation of the teaching organization, the ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Temenos Academy&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;'', based in London. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1980, together with Keith Critchlow, Brian Keeble, and the poet Kathleen Raine, he was one of the founding members of the journal ''Temenos'', a review devoted to the 'arts of the imagination'. This eventually led to the foundation of the teaching organization, the ''Temenos Academy'', based in London. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in London on May 30th, 1995 at the age of 72, and was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in London on May 30th, 1995 at the age of 72, and was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Writings==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Writings==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard's first book was ''The Marble Threshing Floor'' (1956), an “introduction to modern Greek poetry for English-speaking readers, which, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to the attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;. As a translator of Modern Greek poetry, he had a long and productive collaboration with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Edmund Keeley&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, together publishing many books, among them ''Four Greek Poets'' (1966), the ''Collected Poems'' of George Seferis (1967) and of C.P. Cavafy (1975) and ''Selected Poems'' by Angelos Sikelianos (1979) and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Odysseus Elytis&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(1981).&amp;#160; The importance of these translations is indicated by the fact that both Seferis and Elytis went on to receive the Nobel Prize for Literature, after their work had become known in the non-Greek-speaking world.&amp;lt;br&amp;gt; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard's first book was ''The Marble Threshing Floor'' (1956), an “introduction to modern Greek poetry for English-speaking readers, which, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to the attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;. As a translator of Modern Greek poetry, he had a long and productive collaboration with Edmund Keeley, together publishing many books, among them ''Four Greek Poets'' (1966), the ''Collected Poems'' of George Seferis (1967) and of C.P. Cavafy (1975) and ''Selected Poems'' by Angelos Sikelianos (1979) and Odysseus Elytis (1981).&amp;#160; The importance of these translations is indicated by the fact that both Seferis and Elytis went on to receive the Nobel Prize for Literature, after their work had become known in the non-Greek-speaking world.&amp;lt;br&amp;gt; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A frequent theme in Sherrard’s writing was his impassioned attempt to avert an oncoming environmental catastrophe. He saw the world’s ecological crisis as evidence of a larger spiritual crisis and sought always to “emphasize the living relevance of the Orthodox spiritual tradition in a fragmented secular world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;. He produced a number of works developing this theme, including ''The Sacred in Life and Art'', ''Human Image: World Image: The Death and Resurrection of Sacred Cosmology'', and ''The Rape of Man and Nature''.&amp;lt;br&amp;gt;&amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A frequent theme in Sherrard’s writing was his impassioned attempt to avert an oncoming environmental catastrophe. He saw the world’s ecological crisis as evidence of a larger spiritual crisis and sought always to “emphasize the living relevance of the Orthodox spiritual tradition in a fragmented secular world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;. He produced a number of works developing this theme, including ''The Sacred in Life and Art'', ''Human Image: World Image: The Death and Resurrection of Sacred Cosmology'', and ''The Rape of Man and Nature''.&amp;lt;br&amp;gt;&amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the works for which he is best known (together with his collaborators &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Kallistos Ware&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Gerald Palmer&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;) is the complete translation of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘’[[Philokalia]]’’&lt;/del&gt;, a compendium of mystical writings by the spiritual fathers of the Orthodox church. 1998 saw the posthumous publication of ''Christianity: Lineaments of a Sacred Tradition'', a collection of articles dealing with subjects such as Tradition, death and dying, the problem of evil, and the revival of contemplative [[hesychast]] spirituality.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the works for which he is best known (together with his collaborators Kallistos Ware and Gerald Palmer) is the complete translation of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;‘’Philokalia’’&lt;/ins&gt;, a compendium of mystical writings by the spiritual fathers of the Orthodox church. 1998 saw the posthumous publication of ''Christianity: Lineaments of a Sacred Tradition'', a collection of articles dealing with subjects such as Tradition, death and dying, the problem of evil, and the revival of contemplative [[hesychast]] spirituality.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot; &gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;{{Reflist|2}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;references/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wsk</name></author>	</entry>

	<entry>
		<id>https://commons.orthodoxwiki.org/index.php?title=Help_talk:How_to_create_a_new_page&amp;diff=5579&amp;oldid=prev</id>
		<title>Anwatson64 at 07:18, May 20, 2009</title>
		<link rel="alternate" type="text/html" href="https://commons.orthodoxwiki.org/index.php?title=Help_talk:How_to_create_a_new_page&amp;diff=5579&amp;oldid=prev"/>
				<updated>2009-05-20T07:18:19Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 07:18, May 20, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;'''Philip Sherrard''' (September 23, 1922 — May 30, 1995) was a British author, translator, and philosopher. His work includes important translations of [[Modern Greek]] poets, and books on Modern Greek literature and culture, [[metaphysics]], [[theology]], [[art]] and [[aesthetics]].&amp;#160;  A pioneer of Modern Greek studies in [[England]], he was influential in making major [[Greeks|Greek]] poets of the nineteenth and twentieth centuries known in the English-speaking world.&amp;#160;  He was also a prolific writer on theological and philosophical themes, addressing the origins of the social and spiritual crisis he believed was occurring in the developed world, and specifically exploring modern attitudes towards the [[environment (biophysical)|environment]] from a Christian perspective. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Philip Owen Arnould Sherrard was born on September &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;23rd&lt;/del&gt;, 1922 in [[Oxford]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, into a &lt;/del&gt;family with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;many &lt;/del&gt;literary &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;connections. His &lt;/del&gt;mother, Brynhild Olivier, had been a member of Rupert Brooke's circle before the First World War, and his half-sister was married to [[Quentin Bell]], the nephew of [[Virginia Woolf]].&amp;#160; He was educated at [[Dauntsey's School ]] and at [[Peterhouse, Cambridge]], where he obtained a degree in History. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Philip Owen Arnould Sherrard was born on September &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;23&lt;/ins&gt;, 1922 in [[Oxford]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. His &lt;/ins&gt;family &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;had many connections &lt;/ins&gt;with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/ins&gt;literary &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;world of the period: his &lt;/ins&gt;mother, Brynhild Olivier, had been a member of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Rupert Brooke&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'s circle before the First World War, and his half-sister was married to [[Quentin Bell]], the nephew of [[Virginia Woolf]].&amp;#160; He was educated at [[Dauntsey's School ]] and at [[Peterhouse, Cambridge]], where he obtained a degree in History.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard first came to Greece as a soldier after the [[Axis occupation of Greece during World War II| liberation of Athens]] in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;, and married his first wife, Anna Mirodia, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;soon thereafter.&amp;#160; He served &lt;/del&gt;as Assistant Director of the [[British School of Archaeology at Athens]] in 1951-52 and again &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;from &lt;/del&gt;1957-62. His doctoral thesis on the Greek poets [[Solomos]], [[Palamas]], [[Cavafy]], [[Sikelianos]], and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Seferis&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] was written under the auspices of London University &lt;/del&gt;(King's College)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&amp;#160; This thesis eventually became &lt;/del&gt;''The Marble Threshing Floor '' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(published 1956)&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The book was an “introduction to modern Greek poetry for English-speaking readers, and, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt; &lt;/del&gt;Sherrard was baptized into the Orthodox Church &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in 1956&lt;/del&gt;.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;gt;&amp;lt;br&lt;/del&gt;&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard first came to Greece as a soldier after the [[Axis occupation of Greece during World War II| liberation of Athens]] in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. The culture and traditional way of life of the country made a profound impression on him. At this time he first corresponded with the poet [[George Seferis]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;whose work he was subsequently to translate into English. He also met &lt;/ins&gt;and married his first wife, Anna Mirodia&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. After living for a period in London&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sherrard returned to Greece to serve &lt;/ins&gt;as Assistant Director of the [[British School of Archaeology at Athens]] in 1951-52&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;and again &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/ins&gt;1957-62. His doctoral thesis on the Greek poets [[Solomos]], [[Palamas]], [[Cavafy]], [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Angelos &lt;/ins&gt;Sikelianos]], and Seferis (King's College&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, London&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was published in 1956 as &lt;/ins&gt;''The Marble Threshing Floor''. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; In &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;same year &lt;/ins&gt;Sherrard was baptized into the Orthodox Church.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He purchased an estate &lt;/del&gt;near Limni &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;on &lt;/del&gt;the island of [[Evia]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which he used as a retreat&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which was to become &lt;/del&gt;his permanent home.&amp;#160; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Soon therafter &lt;/del&gt;he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;met and &lt;/del&gt;married his second wife, the publisher Denise Harvey. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br&amp;gt;&lt;/del&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In 1959 Sherrard bought part of disused magnesite mine &lt;/ins&gt;near &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the small shipping town of [[&lt;/ins&gt;Limni&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] in &lt;/ins&gt;the island of [[Evia]]. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He planted trees and plants where the former mine installations had been, and helped to restore the homes of the former directors who had lived there before the mine was abandoned at the outbreak of the Second World War. &lt;/ins&gt;In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, London &lt;/ins&gt;and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;where Limni now became &lt;/ins&gt;his permanent home.&amp;#160; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In 1979 &lt;/ins&gt;he married his second wife, the publisher Denise Harvey. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;They endeavoured as far as possible to live a simple life according to the principles of the Orthodox Church, without many of the conveniences of modern living, such as electricity and the telephone.&lt;/ins&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1980, together with [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kathleen Raine&lt;/del&gt;]], [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Keith Critchlow&lt;/del&gt;]], and [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Brian Keeble&lt;/del&gt;]], he was one of the founding members of the journal ''Temenos'', a review devoted to the arts of the imagination. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Subsequently this developed into &lt;/del&gt;the teaching organization, the ''[[Temenos Academy]]'' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1980, together with [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Keith Critchlow&lt;/ins&gt;]], [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Brian Keeble&lt;/ins&gt;]], and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the poet &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kathleen Raine&lt;/ins&gt;]], he was one of the founding members of the journal ''Temenos'', a review devoted to the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/ins&gt;arts of the imagination&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;This eventually led to the foundation of &lt;/ins&gt;the teaching organization, the ''[[Temenos Academy]]''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, based in London. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in London on May 30th, 1995 at the age of 72&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. He &lt;/del&gt;was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in London on May 30th, 1995 at the age of 72&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, and &lt;/ins&gt;was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Writings==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sherrard's first book was ''The Marble Threshing Floor'' (1956), an “introduction to modern Greek poetry for English-speaking readers, which, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to the attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;. As a translator of Modern Greek poetry, he had a long and productive collaboration with [[Edmund Keeley]], together publishing many books, among them ''Four Greek Poets'' (1966), the ''Collected Poems'' of George Seferis (1967) and of C.P. Cavafy (1975) and ''Selected Poems'' by Angelos Sikelianos (1979) and [[Odysseus Elytis]] (1981).&amp;#160; The importance of these translations is indicated by the fact that both Seferis and Elytis went on to receive the Nobel Prize for Literature, after their work had become known in the non-Greek-speaking world.&amp;lt;br&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A frequent theme in Sherrard’s writing was his impassioned attempt to avert an oncoming environmental catastrophe. He saw the world’s ecological crisis as evidence of a larger spiritual crisis and sought always to “emphasize the living relevance of the Orthodox spiritual tradition in a fragmented secular world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;. He produced a number of works developing this theme, including ''The Sacred in Life and Art'', ''Human Image: World Image: The Death and Resurrection of Sacred Cosmology'', and ''The Rape of Man and Nature''.&amp;lt;br&amp;gt;&amp;#160; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Among the works for which he is best known (together with his collaborators [[Kallistos Ware]] and [[Gerald Palmer]]) is the complete translation of the ‘’[[Philokalia]]’’, a compendium of mystical writings by the spiritual fathers of the Orthodox church. 1998 saw the posthumous publication of ''Christianity: Lineaments of a Sacred Tradition'', a collection of articles dealing with subjects such as Tradition, death and dying, the problem of evil, and the revival of contemplative [[hesychast]] spirituality.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#160;  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Bibliography==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Philokalia: The Eastern Christian Spiritual Texts'' (Skylight Paths Publishing, 2006) ISBN 978-1594731037&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Betrayal of Tradition: Essays on the Spiritual Crisis of Modernity'' [contributed article] ([[World Wisdom]], 2005) ISBN 978-0941532556&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Selected Poems 1940-1979'' (Anvil Press Poetry, 2005) ISBN 978-0856463556&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Science and the Myth of Progress'' [contributed article] ([[World Wisdom]], 2004) ISBN 978-0941532471&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Not of This World: A Treasury of Christian Mysticism'' [contribtued article] ([[World Wisdom]], 2003) ISBN 978-0941532419&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Human Image World Image: The Death And Resurrection of Sacred Cosmology'' ISBN 978-9607120175&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Philokalia, Volume 4'' ([[Faber &amp;amp; Faber]], 1999) ISBN 978-0571193820&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Christianity: Lineaments of a Sacred Tradition'' (T. &amp;amp; T. Clark Publishers, 1998) ISBN 978-0567086495&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Rape of Man &amp;amp; Nature: An Inquiry Into the Origins and Consequences of Modern Science'' (Golgonooza Press, 1998) ISBN 978-0903880473&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''George Seferis: Collected Poems'' ([[Princeton University Press]], 1995) ISBN 978-0691014913&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Christianity and Eros'' (Denise Harvey Publisher, 1995) ISBN 978-9607120106&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Greek East and the Latin West'' (Denise Harvey Publisher, 1995) ISBN 978-9607120045&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''George Seferis: Complete Poems&amp;quot; (Anvil Press Poetry, 1993) ISBN 978-0856462146&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''C. P. Cavafy: Collected Poems'' ([[Princeton University Press]], 1992) ISBN 978-0691015378&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Human Image: World Image : The Death and Resurrection of Sacred Cosmology'' (Golgonooza Press, 1992) ISBN 978-0903880503&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''In the Sign of the Rainbow: Selected Poems, 1940-1986'' (Anvil Press Poetry, 1989) ISBN 978-0856462214&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Eclipse of Man and Nature: An Enquiry into the Origins and Consequences of Modern Science'' (Inner Traditions, 1987) ISBN 978-0892810765&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Athos: The Holy Mountain'' (Overlook Hardcover, 1985) ISBN 978-0879519889&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Mind and art of C.P. Cavafy: Essays on his life and work'' (Denise Harvey Publisher, 1983) ISBN 978-0907978169&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Voices of Modern Greece'' ([[Princeton University Press]], 1982) ISBN 978-0691013824&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Church, Papacy and Schism, A Theological Enquiry'' (Denise Harvey Publisher, 1978) ISBN 978-9607120113&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''C. P. Cavafy Collected Poems'' ([[Princeton University Press]], 1975)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''George Seferis: collected poems, 1924-1955'' ([[Princeton University Press]], 1971) ISBN 978-0691013008&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''Great Ages of Man: Byzantium: A History of the World's Cultures'' (Time Life Books, 1966) ISBN 978-0662833406&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*''The Sun of Death'' (John Murray, 1965) ISBN 978-0719511196&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==References==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{Reflist|2}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==External links==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*[http://www.worldwisdom.com/public/authors/details.aspx?ID=38 Philip Sherrard: Life and Work]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*[http://www.temenosacademy.org/temenos_journal.html Temenos Academy]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*[http://deniseharveypublisher.gr/people/philip-sherrard Denise Harvey Publisher]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Anwatson64</name></author>	</entry>

	<entry>
		<id>https://commons.orthodoxwiki.org/index.php?title=Help_talk:How_to_create_a_new_page&amp;diff=5578&amp;oldid=prev</id>
		<title>Anwatson64 at 07:11, May 20, 2009</title>
		<link rel="alternate" type="text/html" href="https://commons.orthodoxwiki.org/index.php?title=Help_talk:How_to_create_a_new_page&amp;diff=5578&amp;oldid=prev"/>
				<updated>2009-05-20T07:11:58Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 07:11, May 20, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Philip Owen Arnould Sherrard was born on September 23rd, 1922 in [[Oxford]], into a family with many literary connections. His mother, Brynhild Olivier, had been a member of Rupert Brooke's circle before the First World War, and his half-sister was married to [[Quentin Bell]], the nephew of [[Virginia Woolf]].&amp;#160; He was educated at [[Dauntsey's School ]] and at [[Peterhouse, Cambridge]], where he obtained a degree in History. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Philip Owen Arnould Sherrard was born on September 23rd, 1922 in [[Oxford]], into a family with many literary connections. His mother, Brynhild Olivier, had been a member of Rupert Brooke's circle before the First World War, and his half-sister was married to [[Quentin Bell]], the nephew of [[Virginia Woolf]].&amp;#160; He was educated at [[Dauntsey's School ]] and at [[Peterhouse, Cambridge]], where he obtained a degree in History. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;#160;  &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#160;  &lt;/del&gt;Sherrard first came to Greece as a soldier after the [[Axis occupation of Greece during World War II| liberation of Athens]] in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;, and married his first wife, Anna Mirodia, soon thereafter.&amp;#160; He served as Assistant Director of the [[British School of Archaeology at Athens]] in 1951-52 and again from 1957-62. His doctoral thesis on the Greek poets [[Solomos]], [[Palamas]], [[Cavafy]], [[Sikelianos]], and [[Seferis]] was written under the auspices of London University (King's College).&amp;#160; This thesis eventually became ''The Marble Threshing Floor '' (published 1956). The book was an “introduction to modern Greek poetry for English-speaking readers, and, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to the attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt; Sherrard was baptized into the Orthodox Church in 1956.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sherrard first came to Greece as a soldier after the [[Axis occupation of Greece during World War II| liberation of Athens]] in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;, and married his first wife, Anna Mirodia, soon thereafter.&amp;#160; He served as Assistant Director of the [[British School of Archaeology at Athens]] in 1951-52 and again from 1957-62. His doctoral thesis on the Greek poets [[Solomos]], [[Palamas]], [[Cavafy]], [[Sikelianos]], and [[Seferis]] was written under the auspices of London University (King's College).&amp;#160; This thesis eventually became ''The Marble Threshing Floor '' (published 1956). The book was an “introduction to modern Greek poetry for English-speaking readers, and, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to the attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt; Sherrard was baptized into the Orthodox Church in 1956.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#160;  &lt;/del&gt;He purchased an estate near Limni on the island of [[Evia]] which he used as a retreat.&amp;#160; In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, which was to become his permanent home.&amp;#160; Soon therafter he met and married his second wife, the publisher Denise Harvey. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He purchased an estate near Limni on the island of [[Evia]] which he used as a retreat.&amp;#160; In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, which was to become his permanent home.&amp;#160; Soon therafter he met and married his second wife, the publisher Denise Harvey. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#160;  &lt;/del&gt;In 1980, together with [[Kathleen Raine]], [[Keith Critchlow]], and [[Brian Keeble]], he was one of the founding members of the journal ''Temenos'', a review devoted to the arts of the imagination. Subsequently this developed into the teaching organization, the ''[[Temenos Academy]]'' &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1980, together with [[Kathleen Raine]], [[Keith Critchlow]], and [[Brian Keeble]], he was one of the founding members of the journal ''Temenos'', a review devoted to the arts of the imagination. Subsequently this developed into the teaching organization, the ''[[Temenos Academy]]'' &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in London on May 30th, 1995 at the age of 72. He was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He died in London on May 30th, 1995 at the age of 72. He was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Anwatson64</name></author>	</entry>

	<entry>
		<id>https://commons.orthodoxwiki.org/index.php?title=Help_talk:How_to_create_a_new_page&amp;diff=5575&amp;oldid=prev</id>
		<title>Anwatson64: New page: ==Biography== Philip Owen Arnould Sherrard was born on September 23rd, 1922 in Oxford, into a family with many literary connections. His mother, Brynhild Olivier, had been a member of ...</title>
		<link rel="alternate" type="text/html" href="https://commons.orthodoxwiki.org/index.php?title=Help_talk:How_to_create_a_new_page&amp;diff=5575&amp;oldid=prev"/>
				<updated>2009-05-20T06:50:45Z</updated>
		
		<summary type="html">&lt;p&gt;New page: ==Biography== Philip Owen Arnould Sherrard was born on September 23rd, 1922 in &lt;a href=&quot;/index.php?title=Oxford&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Oxford (page does not exist)&quot;&gt;Oxford&lt;/a&gt;, into a family with many literary connections. His mother, Brynhild Olivier, had been a member of ...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Biography==&lt;br /&gt;
Philip Owen Arnould Sherrard was born on September 23rd, 1922 in [[Oxford]], into a family with many literary connections. His mother, Brynhild Olivier, had been a member of Rupert Brooke's circle before the First World War, and his half-sister was married to [[Quentin Bell]], the nephew of [[Virginia Woolf]].  He was educated at [[Dauntsey's School ]] and at [[Peterhouse, Cambridge]], where he obtained a degree in History. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;   &lt;br /&gt;
   Sherrard first came to Greece as a soldier after the [[Axis occupation of Greece during World War II| liberation of Athens]] in 1946 &amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;, and married his first wife, Anna Mirodia, soon thereafter.  He served as Assistant Director of the [[British School of Archaeology at Athens]] in 1951-52 and again from 1957-62. His doctoral thesis on the Greek poets [[Solomos]], [[Palamas]], [[Cavafy]], [[Sikelianos]], and [[Seferis]] was written under the auspices of London University (King's College).  This thesis eventually became ''The Marble Threshing Floor '' (published 1956). The book was an “introduction to modern Greek poetry for English-speaking readers, and, together with his translations, brought the poetry of Cavafy and Seferis, together with its cultural background, to the attention of the literary world.”&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt; Sherrard was baptized into the Orthodox Church in 1956.&amp;lt;ref&amp;gt;[http://deniseharveypublisher.gr/people/philip-sherrard PHILIP SHERRARD 1922–1995]&amp;lt;/ref&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
   He purchased an estate near Limni on the island of [[Evia]] which he used as a retreat.  In 1970 he accepted a lectureship in the History of the Orthodox Church, a post attached jointly to King's College and the School of Slavonic and East European Studies (SSEES). After his resignation in 1977, he moved back to Greece, which was to become his permanent home.  Soon therafter he met and married his second wife, the publisher Denise Harvey. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
   In 1980, together with [[Kathleen Raine]], [[Keith Critchlow]], and [[Brian Keeble]], he was one of the founding members of the journal ''Temenos'', a review devoted to the arts of the imagination. Subsequently this developed into the teaching organization, the ''[[Temenos Academy]]'' &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &lt;br /&gt;
He died in London on May 30th, 1995 at the age of 72. He was buried near the Orthodox chapel he had had built on his property.&amp;lt;ref&amp;gt;[http://findarticles.com/p/articles/mi_qn4158/is_19950605/ai_n13986685/pg_1?tag=artBody;col1 OBITUARY: Philip Sherrard]&amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>Anwatson64</name></author>	</entry>

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